All Andrea del Sarto 's Paintings
The Painting Names Are Sorted From A to Z


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Choice ID Image  Paintings (From A to Z)       Details 
20964 The Madonna of the Stair (san05)  The Madonna of the Stair (san05)   c 1522 Oil on panel 177 x 135 cm
56436 The resurrection of Jesus and Mary meet map  The resurrection of Jesus and Mary meet map   mk249
4807 The Sacrifice of Abraham  The Sacrifice of Abraham   Poplar, 213 x 159 cm Gemäldegalerie, Dresden
28616 The Sacrifice of Abraham  The Sacrifice of Abraham   mk61 c.1529 Oil on canvas 98x69cm
60693 The so called Portrait of a Sculptor  The so called Portrait of a Sculptor   The so-called Portrait of a Sculptor, long believed to have been Del Sarto's self-portrait.
38445 The Verkundigung  The Verkundigung   mk137 1528 oils on wood chalkboard 96x189cm Palazzo Pitti, Florence
56424 The Virgin and Child  The Virgin and Child   mk249
56420 The Virgin and Child with Saint Elizabeth. St. John childhood. Two angels  The Virgin and Child with Saint Elizabeth. St. John childhood. Two angels   mk249
56435 The Virgin and Child with Saints  The Virgin and Child with Saints   mk249
56414 The Virgin and Child with St. John childhood  The Virgin and Child with St. John childhood  
56419 The Virgin and Child with St. John childhood, as well as two angels  The Virgin and Child with St. John childhood, as well as two angels   mk249
29835 The Young St.John  The Young St.John   mk67 Panel 37x26 3/4in
56430 Tikiri Panqia assumptions  Tikiri Panqia assumptions   mk249
78796 Tobias and the Angel with St Leonard and Donor  Tobias and the Angel with St Leonard and Donor   1512(1512) Width: 153 cm (60.2 in). Height: 178 cm (70.1 in). cjr
53247 Two angle  Two angle   mk228 Oil on canvas
82487 Verkundigung  Verkundigung   English: c. 1520-1530 Medium Oil on panel cyf
76157 Virgin and Child in Glory with Six Saints  Virgin and Child in Glory with Six Saints   Date ca. 1528(1528) Medium Oil on wood cyf
76630 Virgin and Child in Glory with Six Saints  Virgin and Child in Glory with Six Saints   ca. 1528(1528) Oil on wood cjr
78509 Virgin and Child in Glory with Six Saints  Virgin and Child in Glory with Six Saints   ca. 1528(1528) Medium Oil on wood cyf
62049 Virgin birth  Virgin birth   mk276 1514 years frescoes in Florence, 413 x 345cm Annunciation Church
53242 Virgin Mary  Virgin Mary   mk228 Oil on canvas
53309 Virgin Mary and her son  Virgin Mary and her son   mk228 Oil on canvas
53262 Virgin Mary and her son with Christ  Virgin Mary and her son with Christ   mk228 Oil on canvas
53240 Virgin Mary and Jeusu and John  Virgin Mary and Jeusu and John   mk228 Oil on canvas
53255 Virgin Mary lament Christ  Virgin Mary lament Christ   mk228 Oil on canvas
32242 Virgin with Four Saints  Virgin with Four Saints   1530 Panel, 308 x 208 cm
56433 Walloon Buluo Sa altar portraits  Walloon Buluo Sa altar portraits   mk249
56434 Walloon Buluo Sa altar portraits  Walloon Buluo Sa altar portraits   mk249
56423 Young Joseph  Young Joseph   mk249
53252 Younger Yusifu  Younger Yusifu   mk228 Oil on ca nvas
53253 Younger Yusifu  Younger Yusifu   mk228 Oil on canvas

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Andrea del Sarto
b.July 16, 1486, Florence d.Sept. 28, 1530, Florence Italian Andrea del Sarto Galleries Andrea del Sarto (1486 ?C 1531) was an Italian painter from Florence, whose career flourished during the High Renaissance and early-Mannerism. Though highly regarded by his contemporaries as an artist "senza errori" (i.e., faultless), he is overshadowed now by equally talented contemporaries like Raphael. Andrea fell in love with Lucrezia (del Fede), wife of a hatter named Carlo, of Recanati; the hatter dying opportunely, Andrea married her on 26 December 1512. She has come down to us in many a picture of her lover-husband, who constantly painted her as a Madonna and otherwise; even in painting other women he made them resemble Lucrezia. She was less gently handled by Giorgio Vasari, a pupil of Andrea, who describes her as faithless, jealous, and vixenish with the apprentices; her offstage character permeates Robert Browning's poem-monologue "Andrea del Sarto called the 'faultless painter'" (1855) . He dwelt in Florence throughout the memorable siege of 1529, which was soon followed by an infectious pestilence. He caught the malady, struggled against it with little or no tending from his wife, who held aloof, and he died, no one knowing much about it at the moment, on 22 January 1531, at the comparatively early age of forty-three. He was buried unceremoniously in the church of the Servites. His wife survived her husband by forty years. A number of paintings are considered to be self-portraits. One is in the National Gallery, London, an admirable half-figure, purchased in 1862. Another is at Alnwick Castle, a young man about twenty years, with his elbow on a table. Another youthful portrait is in the Uffizi Gallery, and the Pitti Palace contains more than one.

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